StoryDoc – Storytelling 

At least this is the job of an editor. Simplify, he said again and again, and referred to some drawings of Picasso, where he (Picasso) found the essence of a bull. The essence, find that, you get much deeper, the simpler you put things. If you want to teach something particular, write a book!

Give a minimum of information, Andersen emphasized, get to the emotions. Look for the inner development of the characters and hold back information, don’t tell everything up front. Create expectations, let the audience work, communicate that ”something is going to happen”. And remember the aspect of identification.

He showed two clips – one from the ”Cities on Speed” series, ”Mumbai Disconnected” (2009) by Camilla Nielsson and one from ”Prostitution Behind the Veil” (2004) by Swedish Nahid Persson. For the last one, Andersen stressed how important it is to build up a sympathy for the characters, he used the word love, in this case two mothers, and prostitutes, who you get to know later in the films from a more dark side in their relation to their children.

The link below will take you to a longer interview with Niels Pagh Andersen^

Tue Steen Müller
http://www.filmkommentaren.dk/blog/blogpost/1386/

http://www.dfi.dk/resultat.aspx?sq=Niels+Pagh+Andersen&ssr=1&sgi=967206473

www.storydoc.gr